Amino Titu

by Jo

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1.
Boothing 02:19
sound sources: voice intone to surging waves voice intone to the silence of the main room at Studio Silo breathing in the silence of the corner booth at Studio Silo noise in the silence of the corner booth at Studio Silo
2.
sound sources: wind around a scaffold singing wind in a scaffold snapping insulation material stroking a lattice fence
3.
Plain Weave 02:29
sound sources: crumpling insulation material buzz of a cable distribution cabinet voice intone to surging waves
4.
Amino Titu 04:12
sound sources: breathing in the silence of the corner booth at Studio Silo alert of an analogue timer at a stove
5.
Pale Gale 02:27
sound sources: singing wind in a scaffold ticking of an analogue timer at a stove
6.
sound sources: vibrating rebar wobbly street sign crumpling insulation material running grindstone wing beats of a bat squeaking letterbox stroking a lattice fence

about

Amino Titu started out as an experiment in how Jo's songs are influenced by the environments of their creation. The songs #1, #5 and #6 were written during a residency in Stöðvarfjörður/Iceland whilst #2, #3, and #4 were written in Berlin/Germany in the months that followed.

During the period of creation (2020/2021), many more effects than the environment began to influence the songs. Jo followed a sound path, which had started in the desired seclusion of Iceland and has continued in the unexpected introspective situation in Berlin. Consequently, the differences between the two locations began to blur and a new place emerged: Amino Titu!

credits

released October 4, 2021

Mastered by Fabian Zweck
Final clearance song by song: Timo C Engel
Advice, participation, technical guidance and critical commentator: Frank Nagel
First-class host in Stöðvarfjörður: Fish Factory
Finest workspace: Studio Silo

license

all rights reserved

tags

about

Jo Berlin, Germany

I puzzle crooked tone songs from field recordings.

Artist’s photo by Claudia Brijbag

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